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April 14 Thanks James n all!Look at this! ;) James, one of the audience who came for the SIFF 12th April screening brought me food! But how did he know that I had lost weight over the Diminishing Memories II's production? No matter, I thought it's such a nice gesture to remind me to 'feed myself fat fat' !:p This is soo sweet. Yup! I'll try to eat more. Haha... thanks James! ;)
Also, thank you all.. for everyone else who came. Nice! ;)
YP April 11 Personal Note from DirectorDear all,
Thank you all who had went to the screening on 8th April at the Sinema, 21st SIFF film screening of Diminishing Memories II. I noticed everyone stayed for the Q&A despite it was already 11pm when the film finished screening. It was all quiet at first in the audience but I knew since you stayed, you must have something to ask or that you have an urge to want to hear more. Hence, thank you to everyone who came for the screening despite heavy rain. It was good to meet up face-to-face. ;)
I heard there were also enquiries about the purchase of Diminishing Memories (Part one) DVD after the screening. I know some of you managed to track me down but I shall write a note here again to let those who's still searching that yup! You can place an order for the DVD directly from me. Please drop an email to diminishingmemories@hotmail.com
In addition, I have also received orders for Diminishing Memories II on DVD. Thank you for your support and interest, yes you may place an order with me first but the DVD for DMII is not available yet. Once it is available, I'll revert. Thanks!!
Thank you so much, I am very touched by your responses... ;)) YP Diminishing Memories II: New Development TrailerHellow all, thank you so much for your support in the first screening of Diminishing Memories II at the SIFF. I was a little suprised that everyone actually stayed for the Q&A even thought it was already 11pm when the film finished screening. It was very sweet of you guys, thank you so much!
Anyway, for those who haven't got a chance to catch DMII, here is another trailer entitled 'New Development Trailer' on Youtube:
April 10 Responses to Diminishing Memories IIHi everyone. Diminishing Memories II made its first screening (World Premiere) at the Singapore International Film Festival on Tues, 8th April. I've started to hear some feedback and thoughts about the film.... stay tune for more updates on this page! On the other hand, if you had already catch DMII on Tuesday, please feel free to leave your comments here too by clicking 'Add a comment' button! ;) Thanks so much for your support!! ;) Yee Peng, the director.
21st Singapore International Film Festival 8th April Screening's Audience Responses:
Very glad to know there will be audience who will really GET IT! Able to “see” what the film is really about and to see further- the dimension of a deeper meaning:
“To me, DMII is much bigger than the theme on Lim Chu Kang. Growing up in urban area myself, I've no strong attachment to the farms, but I share your love in this land that we grew up on. It's not just Lim Chu Kang.
More feedback from the screenings of SIFF:
“Just wanted to tell you I enjoyed the film. DM II is different from DM I but very good. I like your reflections, the narration and your choice of interviewers. I think it ended up being a film that gave the viewer a lot of food for thought without forcing the viewer into thinking the same way as you - the director. I thought it was very educational.” ~~ Stephanie Ho, The History Workroom
“I really enjoyed the film! and the Q&A was great - you're so passionate about the subject and it's so nice to see a Singaporean with such passion. What i really liked about the film is how you handled the personal emotions. It wasn't self-centred or indulgent. The interview with your mum was a surprise, it injected a poignant insight into your filmmaking process.” ~~ Audrey, Substation
“I thought the structure and script was quite tight. It was a very engaging storyline and also very informative because as you said, you are giving voice to people whose voices are not often heard. Fully agree with you that we hear the government's side all the time and need to hear more of other voices. On that basis alone, this is an important film.”
James bought me FOOD!!! at the screening of SIFF:
“Well done. DM2 focus on a very different perspective from the theme for DM1. Its like growing up from a simple, innocent kampong girl who matures into a socially-aware, insightful and thoughtful intellectual who understands the plights of the farmers and kampong people...using the film media to highlight these issues.
You pointed out correctly that the only thing permanent is change; as all conditioned things are subject to change. People and places are constantly appearing and disappearing as time goes by. This is a favorite topic at the heritage board discussion forums.
In land-scarce Singapore, very soon there would not be enough spaces for burial grounds and cemeteries for the dead. These would have to make way for housing estates for the living as what had happened in Bishan, Choa Chu Kang, Bukit Ho Swee (ma kao thiong) and many other places.
During the Q & A session, I tried to balance the discussion the way your mother did in the interview segment of the film....else there may be misinterpretations when discussing about the views of the authorities.” ~~ James Seah
Received an email from one of the audiences at the screening, comments as below:
"Hi Yan Ping, after watching your documentary, my hubby and I were very impressed and we really love it. I think this film has your personality and is really very personal. It's like opening a door to let others peek at your "world". We like this approach very much. This film is so different from other documentaries that we have seen and it really stands out from the rest. Very impressive! I hope this film will get more international screenings and be even more successful than your previous. I also can see from this film that you have graduated from a "student" to a "professional" production. Can't wait to see your next production...all the best... really like the part where you interviewed the CEO of the new agri-tainment developer. Your question about the "well" really caught him off-guard....heehee...I think you have also added some humours in this film which makes it quite entertaining as well as maintains the audience's attention throughout the film." ~~ Sulin
This is also one of the audiences at the screening, managed to track me down via email to order a DVD copy of Diminishing Memories part one. haha.. and here's the comment via email:
"Just saw your documentary last night. Congratulations on an excellent job and for preserving your memories of Lim Chu Kang; the distinctness of different areas and districts in Singapore is hard to imagine now, but I'm glad you brought that out. I'm very glad that films such as yours are being made; one thing I was hoping to see in the documentary (perhaps a future subject?) was a bit more background on the Teochew and Hokkien communities in Lim Chu Kang, though I am sure you had your hands full already with what made up the film." ~~ Wei Chian
Now, Sam is the “elderly Indian gentleman’ Stefan was referring to on his review of DMII (http://anutshellreview.blogspot.com/2008/04/siff08-diminishing-memories-ii.html), the gentleman who had been to one of the part one film screenings and asked if I had really moved on then. I must say Sam was sharp. He could sense I hadn’t moved on by the end of the part one film. There was another audience at the world premiere screening of DMII asking me if I would make part three. I asked if there’s yet another film about Lim Chu Kang again, would he want to watch. He said yes as he wanted to hear what more I have to say. Hahaha… this is sweet as I do have a lot to say indeed! (Not only about Lim Chu Kang I believe) But well I guess I would like to say NO to DMIII at the moment. ;) Please see comments from Sam below:
Hi Yee Peng,
I thoroughly enjoyed watching your film. It is very touching without being sentimental. It is apparent that Diminishing Memories tells as much about yourself as the transformation of Lim Chu Kang. The film has the dramatic feel of loss-of-innocence or coming-of-age story. While watching the film it brought back my childhood memories about loved ones who have passed away and places that have changed beyond recognition.
Its obvious that you haven’t finished telling this story. Particularly because in real life the story is still unfolding. It won’t be fair to suggest that you look away. You should certainly revisit the story in part III after a few years to cover what had transpired during the period. That should wrap it up.
But meanwhile, to keep your sanity and preserve your frail health, you should take up another film project covering a different subject. With your commitment, perseverance and story telling talent you are now ready to take up bigger issues and to paint a larger canvas.
All the best. ~~Sam Kumar Feature report on xin.sgA feature report on Diminishing Memories I & II at Xin.sg
Original report, please view: http://www.xin.sg/article.php?article=17040
《悄逝的记忆2》——接受已逝去的记忆 9 April 2008 庄庆宁 为了寻回在林厝港乡村时的童年记忆,本地自助导演翁燕萍在搬离那里后的18年,制作了《悄逝的记忆》。2006年,政府公布要在林厝港的农场里兴建度假屋和香薰治疗浴,引起了燕萍的关注。她不得不再次踏上林厝港路,去了解这个新发展项目和林厝港的现居民,因而造就了其续集篇《悄逝的记忆2》。 《悄逝1》和《悄逝2》是独立的影片,传达的讯息不同。虽然不需要看第一部也能了解第二部,但是两部结合才有整体感,所以介绍《悄逝2》还是要从《悄逝1》开始。 《悄逝1》——面对记忆的悄逝 燕萍9岁时搬离了林厝港。当时因为哥哥姐姐都上学了,而爸妈又忙着新家、农村两边跑,所以她在搬家后度过了一段一个人在新家的日子,和之前在农村的生活很不一样。“我离开林厝港时,我的狗没有跟着我们一起搬家,所以那个时候是蛮难过的。可能小时候不懂得怎么去处理自己的情感,所以就用笑声掩饰,然后把它压下去,并没有好好处理离开林厝港的这个情意结。就这样蕴藏在潜意识里面,然后就这样长大,也忘记了。” 一直到燕萍准备制作她的第一部影片时,那份深藏心底、无法释怀的林厝港童年才慢慢地“钻出来”,并且一直困扰着她。“我问自己,如果我这一生只能做一部影片,我会做什么。我才发现有件东西,我好像没有放下。开始的时候,我只知道是关于林厝港、关于以前我在那边生活过的日子。在开始策划时,我才发现是我对那个很愉快的童年时光的一种怀念,尤其当它像是一个被强行夺走的童年,那是一个伤口。” “但是做完第一部过后,我很气自己,我以为我记得很多东西,但我发现我其实忘记了很多。我变得非常担心它会不见,因而我疯狂地去抓住它,不想放手。” 《悄逝1》逼着燕萍面对这个伤口…… 《悄逝2》——接受现实 《悄逝》的国际影响 电影节早报副刊:《四方八面》专栏 刊登日期:09/04/08 任何一项艺术创作都是孤独的,包括电影制作。虽说电影基本上都是在讲故事,但往往在说故事的过程当中,导演或编剧想要表达的也很个人。既然要表达的需要经过思考,那么思绪更是件很私人的事了。虽然如此,在影片完成后有一项我比较期待的阶段。这个阶段有个重要而不能错过的环节,也很有趣的是一项能让我比较不感到寂寞的阶段。 任何影片完成后,其实也只不过是工作完成了一半。还有另一半就是影片的发行与推广。在影片的推广与宣传方面,最首要进行的往往就是让刚完成的电影到世界各地的国际电影节中参展。以比较商业化的角度来看,影片获选参展就已经代表了所制作的电影有一定的水准。若是有机会在电影节中参加竞赛的话,那么这个影片本身就可以比其他电影还要容易受到媒体的关注。再厉害的,拿个奖。再完美一点的,就是加上一些著名影评人给的看好与好评。这一切都将有助于影片稍后的商业性放映和宣传活动。对很多独立制片人来讲,他们的目的更是希望在电影节中能找到适合的发片商。甚至是有意资助他们下一部影片制作的“贵人”。既然电影节有这么多实际的“商业用途”,也难怪会有它们的存在。 虽然把自己的电影推广给更广大的观众是我身为制作人的责任,所以让自己的影片到世界各地去参展是理所当然的一项任务,撇开制作人的身份,我其实比较期待的却是电影节商业用途以外的人与事。因为在国际电影节中,有来自世界各地的导演和制片人。大家其实既陌生又熟悉。陌生,因为互不相识。熟悉,因为我们都有相同的热诚与梦想。都说电影制作是件寂寞的事,还有什么是能够在同一个时候、同一个地点跟来自不同的国度,和你一样在世界的另一个角落疯狂地、艰辛地编织着电影梦想的人交流还要来得热闹?这样的场合当然就是电影节了。这些人可都是和你一样寂寞的人呀!而大家也都是为了同一个理由而继续的寂寞着。一直到相遇了之后,分享了心情和制作上的种种困难,确定了在这世界上还有很多很多像你一样的人,所以就不再那么寂寞了!电影节对我来讲,就是有这么一种莫名的吸引力和魅力。 April 09 Nutshell Review on Diminishing Memories IIA review on Diminishing Memories II from the Nutshell Review.
For original review, please view link: http://anutshellreview.blogspot.com/2008/04/siff08-diminishing-memories-ii.html
Review by Stefan
Some 2 years ago, I had watched Diminishing Memories at the National Museum, and found it to be a very intriguing piece of work, in which director Eng Yee Peng shared, through film, her memories of a Lim Chu Kang rarely seen. It was a very personal piece of village life from the past which is now no longer existent in Singapore (not in the old, authentic and charming nature), and it all seemed rather distant, despite our very short modern history.
In fact, I guess almost every army boy would have travelled along that stretch of road at one point in time or another, where a narrow two lane stretch separates temporarily because of a road island. Back in the mid-90s during my tour of duty, I drove along that stretch fairly frequently (yeah I told you I led a double life, and even had double army vocations!), little would I know that some 10 years later, I now realize that the inconspicuous landmark has more significance to a filmmaker, because it served as a post marker to where her childhood home is. And without which, there would be great difficulty as she admitted, to access This documentary is possibly the first local feature documentary sequel to have picked up where the previous had left off, and the title holds meaning. With memories, like it or not, they start to diminish into the subconscious, and get hazy with each passing day. While we can fairly recall broad moments in time thanks to anchors to connect to, the little details get lost, and probably we could jog our minds with the assistance of photographs and video from archives, without which, we can only start to imagine and fill in the gaps, and herein lies opportunity for inaccuracies to creep in. Yee Peng returns with a more assured voice both literal and figuratively speaking, and a more mature handling of this documentary. It showed slight detachment from the subject, perhaps because this time round the whimsical nature of reminiscence, and the interviews with subjects very close to her heart (like immediate neighbours and her own parents), gave way to an exploration from the outside, of someone from the past revisiting a location of the present, where once she had spent wonderous childhood moments in, and now having its landscape changed, and becoming unrecognizable. If you've read the newspapers, Lim Chu Kang is now an area earmarked with redevelopment plans to convert 3 parcels of land into "agri-tainment" areas, complete with resorts and spas. And Yee Peng now examines what this means to the current batch of farmers, the new inhabitants of a space she once called her own. We get to go behind the scenes into the farms, and with food undergoing intense media attention for its price hikes, one wonders if Agriculture for entertainment purposes, or the more pragmatic approach to try and expand production to ensure less reliance on imports, should be looked into instead. This documentary sets you thinking along these lines, as the director probes and discovers more about such development plans, and the predicaments faced by the current farmers such as how changes in land leases will come to affect them sooner rather than later. There are also focused shots on the rich flora and fauna ecosystem of Lim Chu Kang that demonstrated that there's indeed a lot more to offer on that piece of land. It was also amazing to have watched this film with key members of the audience from the screening of the first film, such as Ivy Singh-Lim, who owns a bistro at Lim Chu Kang, and the elderly Indian gentleman (sorry I don't have your name!) who had once asked if Yee Peng was going to make a sequel (and it became this movie) to the original film. Like a gathering of seasoned community folks who have now come together again to experience something with one another, it's akin to just having an extremely small glimpse of the kind of kampung spirit of the past, and I am sure that kind of spirit from the previous inhabitants of Lim Chu Kang, and the current ones, are much, much stronger of course (given that they have banded together to actually petitioned for public bus services, then realizing that they could do it better, went ahead with it on their own, and proved themselves right). I had mentioned before when I watched Diminishing Memories, that it deserved a place in our film archives for its preservation of lives that once were, or a lifestyle now almost forgotten. I shall repeat that call again, simply because Diminishing Memories II is a well made follow up and excellent companion piece, with enough merits to stand alone too. Although set in current times, it will no doubt be a gem when new and proposed development to the area spring up, and again in keeping pace with our obsession for inevitable change in the name of progress, it will serve as a reminder of what once was a rustic charm that had to give way if we're callous. Diminishing Memories II deserved to be watched, and of course, preserved too for future generations. For those who have not had the opportunity to watch the first one, check out the Related Links below. Put together, both films have something valuable to offer, and to experience. Which brings me to ask if more of us would pay a visit to the area too! April 06 Diminishing Memories II: State Land TrailerHellow everyone!
Diminishing Memories II's Trailer is now finally ready for your viewing. Go to the link below and enjoy!
URL
April 04 Channel NewsAsia report on SIFF (DMII)http://www.channelnewsasia.com/stories/singaporelocalnews/view/338944/1/.html Record number of Singapore-made films showcased at film festival SINGAPORE : One of Southeast Asia's biggest film events, the Singapore International Film Festival, opens in two days. April 02 新加坡电影业早报副刊:《四方八面》专栏 刊登日期:02/04/08 第二十一届新加坡国际电影节,这个星期五终于要正式开锣了!我们终于有属于我们本地电影的专属单元——《新加坡全景》。 新加坡电影一直以来都似乎是以剧情长片和短片当道的。今年新加坡纪录片的剧增,因此更备受瞩目了。本地电影产量的增加和多元性,不禁让一些国人要问:“我们的电影业是不是也即将要苏醒了?” 本人制作的纪录片——《悄逝的记忆2》也将在今年新加坡国际电影节中的《新加坡全景》单元首映,所以难免抵不过一些媒体朋友要我提出对新加坡电影业的看法。 首先,新加坡有电影业吗?而怎样才能称得上是个电影工业呢?单靠电影数量就能断定我们已经有电影工业了吗?这几年来新加坡电影的增加当然是个很乐观的现象,问题是这样的“现象”是不是短暂的?它最终能不能成为一种常态? 到目前为止,我们没有人有确切的答案。要把“现象”变成“常态”,就意味着电影工作者要有能力继续编制他们的电影梦想。电影工作者必须要能从他们的电影产品中得到足够的利润,支撑他们的电影支出和个人的生活开销等。只要有可以继续的可能,电影工作者才有机会继续成长,他们的作品才有进步的空间和可能。《幸运7》是今年《新加坡全景》中,由七位本地导演联导的剧情长片。联合执导的概念非常新颖。不说其实也没人知道,这个合作概念的产生,是因为电影资源、资金的不足。导演们不得不凑起来彼此帮忙,在对方主导的部分里,也充当各自的技术工作人员。目前的情况是,很多新加坡独立制片人也得从事其他专业来维持自己的生活开销。哪天我们全部的收入来源只来自于我们的电影收入,就能维持生活的话,我们哪天就有自己的电影工业了! 新加坡人不是没有梦,也不是不懂得发梦。只是在建国时期大家都忙着建设,和追求物质生活条件上的梦想,而忽略了精神和艺术形态上的自我满足和表达。现在大家吃饱了、住好了、生活安定了。大伙儿是不是也准备好了,要开始欣赏各种艺术作品了?我们是准备好了要发挥这些年来所累积的、所要表达的了!你准备好了要支持新加坡电影和给予它们肯定了吗? |
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